Publication:

【光影解碼】舞作詮釋與身體探索之歷程

【光影解碼】是為陳欣瑜企劃，在系所主任、指導教授和學弟妹們的協助下完成的畢業製作，紀錄和統整製作排練過程中的感受與體悟。此製作名稱命名為【光影解碼】是敘述著我在舞蹈的「光」與「影」片段歷程，製作中邀請了在作品中對生命及情感總是有著豐富的人生經驗和故事讓人感動的詹佳惠；以最精簡的方式來表達舞蹈本質的林文中；總是能「看」到音樂「聽」到舞蹈，作品理性的傳達而內心感性有著孤寂感的林素蓮及在肢體語言和音樂間有著一種既私密又微妙的完美關係的簡華葆以四首不同風貌的現代舞為我創作全新的舞作，四位編舞者都是我平日最親近最熟悉的師長及朋友，在排練的過程中讓能夠很坦然自在並誠實的面對自己

，透過畢業製作讓我再一次的挑戰四支作品、四個故事、四樣風格、四種詮釋，如：乾淨簡約的肢體及兩個人默契十足的《The opening》；在一個狹窄的空間裡加入了許多口白及戲劇讓作品感到一種看似帶點幽默卻又孤獨的《佛陀教你不生氣》；21套拆解又重組以不同質地動作轉換的《M》；自己的故事、情感的抒發、獻給母親的《光影解碼》。本研究將探討舞作詮釋與身體探索之歷程分別為：第一章緒論─概述【光影解碼】之動機、目的、步驟及名詞釋義；第二章【舞蹈歷程】─簡述個人從小到大的習舞經歷；第三章【簡約的雙人默契】─《The opening》；第四章【用語言跳舞，用身體發聲】─《佛陀教你不生氣》；第五章【結構與解構】─《M》；第六章【換一個角度，讓自己發光《光影解碼》】；第七章【結語】。

【Decoding Light and Shadow】is one of the works designed by Chen, Shin-Yu. The graduation project is done and directed by the school sisters and brothers, the manager of the department, and the instructor. Also, it records and gathers the feelings and realization during every rehearsal. The project titled “Decoding Light and Shadow” illustrates the interactions I had with the light and the shadow when I was dancing. During the project, I invited Chan, Chia-Hui, who has a touched and rich experience and story in lives and emotions；Lin, Wen-Chung, who is able to use a simple way but explain the nature of the work out clearly; Lin, Su-Lien, the person with the sense of the work explanation and the sensibility of the lonesome inner can always “Look” musics and “Hear” dances；and the last one; Chien, Hua-Bao, the person has a private but tender relationships between music and dance. Those four different types of modern dance will be my new dancing works. The four choreographers are my closest friends and teachers in my daily life that can help me face myself naturally and honestly as rehearsing. Through the graduation project, I could experience different challenges again which are four works, four stories, four styles, and four annotations, such as “The Opening,” which is simple and concise but with perfect tacit； “Buddhism Teaches You Not To Be Angry,” which adds many theaters and narrators to a narrow room but makes the work look kind of humors but lonesome； “M,” which is deconstructing and reconstructing different 21 actions； “Decoding Light and Shadow,” which is talking about my personal story and releasing feeling to dedicate to my mom. This research is to discuss the process about the annotations of the dancing works and the findings of body which is divided into：Chapter One “Introduction” illustrates the motivations, goals, and the explanations of the terminologies of “Decoding Light and Shadow”； Chapter Two “My Dancing Background” illustrates my personal experience since I learned dancing when I was young；Chapter Three “Simple Double Tacit—The Opening”；Chapter Four “Dancing With Languages, Vocaling With Bodies—Buddhism Teaches You Not To Be Angry”；Chapter Five “Constructing And Deconstructing—M”; Chapter Six “Changing an angle, Making Myself Light—Decoding Light And Shadow,” and Chapter Seven “Conclusion.”