潘莉君Pan, Li-Chun2017-02-272025-07-302017-02-272017-02-27https://ir.ntus.edu.tw/handle/987654321/71038學位類別：碩士校院名稱：國立台灣體育大學系所名稱：體育舞蹈學系碩士班學號：19053008畢業學年度：99年論文頁數：111頁　　畢業製作讓我深刻體會，身為製作人及演出人，除了技能、體力與表演詮釋能力外，仍必須學習行政製作等事宜，從選定演出場地、企劃書送審、舞碼訂定、排練行程、安排劇照拍攝、安排口試、文宣製作、宣傳與票務統籌運用，及規劃演出當日工作人員分配等相關事宜，皆親力親為，藉由實際參與累積製作的實務經驗，作為日後從事舞蹈教育工作的根基。 　　本研究將從探索身體運用及情緒轉折之表演理念與分析兩方面進行，同時分享筆者如何透過身心並重的鍛鍊－肌力、平衡力、柔軟度，創造清楚焦點和獲得最大效益；對於自己所接觸到各種感覺傳達到身體的訊息，如何在舞台上轉化成一種完整、生動的角色，並表現出內容的真正涵義。都是本論文所要探討的重點。這篇論文將以雙人聯展【京天動地】作為實例，分為七個章節撰述，第一章以研究動機、研究方法及名詞解釋為主，第二章是探索身體語彙及情緒轉折，第三章到第六章是以筆者參與之舞作表演理念分析為主，藉由個人身體經驗與運用，以及情緒的表達，詮釋不同風格之舞蹈作品的心路歷程，第七章為結語。我將針對以上章節分別加以論述，最後附上詳細製作資料，期望藉由文字闡述將【京天動地】雙人聯展詳細記載，透過實務的經驗分享，進入舞蹈藝術的感性歷程。　　From the graduation thesis I could understand, as a producer and performer, besides of the techniques, physical strength and interpretation capacity of performance, it is also necessary to learn the administrative work, as for example performance area, examination of the plans, determination of dance, exercise schedule, arrangement of stage photos, arrangement of oral defense, production of publicity materials, advertisement and ticketing, as well as the planning of the workers on the day, with the personal participation to gain practical experiences for the dance education in the future. 　　This study probes into the body application and the concept and analysis of performances of emotional transitions. How to train the dancers to exercise the strength, balance and softness, train and create clear focus and obtain the greatest benefits; using all learned feelings to transmit messages all over the body, in order to transmit a complete and vivid role on the stage, presenting the real meaning of the content. The purpose is to promote the self technique, dance exercise and the execution of performance, as well as the real records. This thesis uses the real example of dual performance of “Jing Tian Dong Di ”, divided into seven chapters, the first one is based on the study motivation, study method and vocabulary interpretation, the second one probes into the body language and emotional transition, the third to the sixth are based on the performance concept analysis of the dance, through the body experience and application, as well as the expression of emotions, interpret dance works of different style, the seventh chapter is the conclusion. I will provide explanation on the above chapters, as well as the detailed production information, hoping to record the “Jing Tian Dong Di” performance through words, share the real experiences and enter the emotional process of dance arts.目　次 第一章　緒論……………………………………………………………1 　第一節　研究動機與目的……………………………………………1 　第二節　研究方法……………………………………………………2 　第三節　名詞釋義……………………………………………………3 第二章　探索身體語彙與情緒轉折……………………………………5 　第一節　身心協調的訓練……………………………………………7 　第二節　身體語彙……………………………………………………9 　第三節　情緒轉折……………………………………………………11 第三章　《盤鼓》表演理念與分析……………………………………13 　第一節　盤鼓舞的藝術形式…………………………………………14 　第二節　參與舞作過程………………………………………………17 　第三節　舞作詮釋……………………………………………………20 第四章　《Forbidden Love》表演理念與分析…………………………25 　第一節　滿城盡帶黃金甲－論唐代女性的性意識…………………26 　第二節　參與舞作過程………………………………………………29 　第三節　挑戰自我極限………………………………………………31 第五章　《霸王別姬》表演理念與分析………………………………35 　第一節　京劇的特色與程式美學……………………………………36 　第二節　虞姬的真情至性……………………………………………40 　第三節　虞姬的服裝造型……………………………………………44 　第四節　排練過程……………………………………………………47 　第五節　詮釋舞作歷程………………………………………………49 第六章　《Dance For Sorrow》表演理念與分析………………………53 　第一節　舞者內在能量釋放…………………………………………54 　第二節　舞蹈情境……………………………………………………56 　第三節　詮釋舞作……………………………………………………58 第七章　結語……………………………………………………………61 參考文獻…………………………………………………………………631573370 bytesapplication/pdf京天動地;霸王別姬;京劇Jing Tian Dong Di;Farewell My Concubine;Peking Operathesis