詹佳惠Chan, Chia-Hui2017-02-272025-07-302017-02-272017-02-27https://ir.ntus.edu.tw/handle/987654321/71208學位類別：碩士校院名稱：國立臺灣體育運動大學系所名稱：體育舞蹈學系碩士班學號：19603001畢業學年度：100年論文頁數：80頁　　【旋影三行】是由筆者楊文齡、張義欽、壽于禎三位製作人共同企劃，並在系所主任、指導教授及學弟妹們的大力協助下於2010年6月15日於臺中市立交響團中興堂完成展演；此製作異於前七檔展演之處即在於由三人共同聯展，演出內容中分別以個人特質作為主軸，譜出三人截然不同調性之舞作《獨》為此製作的開場，並邀請鄧倢伃老師、黃建彪老師、林文中老師、寶爾基老師、冷 靜老師、詹佳惠老師，傑出校友陳韋勝學弟及製作人張義欽、楊文齡，多位編創風格多元之編舞家共同參與，使其展演內容舞出不同風貌與色彩。本研究記錄並分享著個人在【旋影三行】中對表演領域的掌握與觀點並忠實紀錄及彙整排練過程中所有體悟之歷程，第一章【緒論】，主要概述研究者舞蹈之歷程並進而辦理畢業展演之理念，深入探討其研究動機、研究目的與研究方法；第二章【習舞歷程】，在各個時期所接受到的肢體技巧訓練及其環境對研究者的影響；第三章【《獨》All about Me】；第四章【《情歌－都會男女的情歌》】；第五章【《台上台下》】；第六章【《紅色˙侵蝕》】，第三章至第六章分別陳述如何以四支不同風格的舞作，詮釋多面向的表演方式，融合個人內在經驗，並克服當中所遇到之瓶頸，進而引領筆者不同思維及肢體多元的挑戰。並突破自我的演出。最後，第七章【結論】，主要針對自我身體探索的歷程，做最後的回顧與反思。　　“The Three Spiral Shadow” is a combined effort of the three producers, namely Yang,Wen-Ling、Zhang,Yi-Qin、Shou,Yu-Chen. The performance is successfully conducted at Taiwan Symphony Orchestra with the collaboration of the department head, dissertation supervisors and younger students of the same discipline. This performance differs with the previous seven performances through a joint demonstration of the three performers at the same stage. Based on the central core of each performer’s characteristics, the performance started with the dance of “《Solo》All about Me” that revealed their own personalities.It is further enriched by inviting the participation of arrangers with various styles so that the show presented many faces and colors. The contributed arrangers are Deng, Jie-Yu、Huang, Jian-biao、Lin,Wen-Zhong、Bao,Er-Ji、Leng,Jing、Chan,Chia-Hui，outstanding alumnus Chen,Wei-Sheng and Yang,Wen-Ling、Zhang,Yi-Qin. This dissertation recorded and shared my own master works, perspectives and insights throughout the whole production and performance of “The Three Spiral Shadow”. The first chapter “Introduction” briefly described the past history of the performer and further investigated the research motives, objectives and methodology. The second chapter “Practicing” denoted the different limbs skills trainings and the impact of the training environment upon the dancer.The third chapter is “《Solo》All about Me”. The fourth chapter is“Love Songs”– love songs of metropolitan people. The fifth chapter is “On and off the stage and the sixth chapter is “Red: Erosion”. These four chapters described how to employ four dances to illustrate the various and the various styles. Blending the personal experience, the writer overcomes the bottlenecks of these different styles. The experience further led the writer to develop different mentalities and face the multiple challenges of limb actions. Finally the writer achieved a breakthrough of own boundaries. The seventh chapter “Conclusion” focused on the exploration of own body as the final review and examination.目　次 第一章　緒論……………………………………………………………1 　第一節　研究動機……………………………………………………1 　第二節　研究目的……………………………………………………2 　第三節　研究方法……………………………………………………3 　第四節　名詞釋義……………………………………………………5 第二章　習舞歷程………………………………………………………9 　第一節　進入舞蹈世界………………………………………………9 　第二節　研究所時期…………………………………………………15 　第三節　愛跳舞，不適合又怎樣……………………………………17 第三章　《獨》All about Me…………………………………………18 　第一節　創作動機……………………………………………………19 　第二節　創作過程……………………………………………………22 　第三節　舞作音樂選擇………………………………………………23 第四章　《情歌－都會男女的情歌》－從大劇場到小劇場…………25 　第一節　編舞者創作動機與意念……………………………………26 　第二節　符號意義與詮釋困難………………………………………28 　第三節　質地與關係之困難突破……………………………………30 第五章　《台上台下》－大舞台小角色………………………………33 　第一節　編舞者的創作概念…………………………………………34 　第二節　表情拿捏與排練過程………………………………………35 　第三節　舞伴的選擇與影響…………………………………………37 第六章　《紅色˙侵蝕》－極限的挑戰 ………………………………39 　第一節　編舞者的創作理念…………………………………………40 　第二節　意識形態的解讀……………………………………………41 　第三節　排練過程的困難與挑戰……………………………………43 第七章　結語……………………………………………………………453244215 bytesapplication/pdf旋影三行;畢業製作The Beautiful Triplet;Graduation Performancethesis