蔡麗華;藩莉君Tsai, Li-Hua;Pan, Li-chun2017-02-222025-07-302017-02-222017-02-22https://ir.ntus.edu.tw/handle/987654321/70913學位類別：碩士校院名稱：國立台灣體育大學系所名稱：體育舞蹈學系碩士班學號：19503006畢業學年度：98年論文頁數：105頁　　本研究探討【絕代雙嬌】的表演製作歷程與四首舞作之產生背景與作品分析。 　　筆者舞蹈的養成始於幼稚園，歷經坊間舞蹈社、專業舞蹈系所以及職業民族舞團的專業訓練，十多年來在每個階段都有不同的或相關的知識、技巧之學習，經過不斷的累積後，透過內在生命的身心體驗和外在的身體經驗，兩者交互融匯，期使身體的技能轉化為身體本能，使動作不單純只是動作呈現，而是將它散發成為具有生命力也能感動人心的表演。 　　【絕代雙嬌】為筆者─簡如君和搭擋─黃楓華兩人於就讀國立臺灣體育大學（臺中）舞蹈碩士班表演╱創作組期間共同製作演出之雙人畢業聯展。邀請國內具有豐富教學、編舞經驗之中生代編舞家胡民山老師、潘莉君老師、黃建彪老師，以及創作手法新穎並備受肯定之年輕編舞家簡華葆、陳韋勝共同編排，舞碼形式與內容橫跨了古代到現代、東方到西方，融合編舞者巧思與兩位製作人的用心及努力，所共同完成的一場挑戰自我極限與自我突破的表演製作。　　This study aims to explore the production and the performance “Twin Peerless Dancers”, the background of the performance and the analysis of the four choreographies. The researcher has studied dance since kindergarten. The researcher contined her professional trainings in private dance studios, school of dance education, and professional folk dance companies. For more than ten years, the researcher engaged in the different studies in relation to dance knowledge and skills in various phases. Through the continuty of accumulation of the dance experience, the internal life experiences of body and soul were therefore able to blend with the external body experiences so as to transform the skills into the nature of the body. This would enable the movement not merely as dance movements, but also to become a radiant and touching performance with power of life. 　　“Twin Peerless Dancers” is developed, co-produced and performed as the final stage of Master graduation and is make by the researchers both “Ju-Chun Chien“ and “Fong-Hua Huang” during their study in the course performance and creation in the Master of Arts in Dance of National Taiwan Sport University (Taichung). This performance invited great renown choreographers who have rich teaching and choreographing experiences, they are Prof. Min-Shan Hu, Prof Li-Jun Pan, and Prof. Jian-Baio Huan. Besides, the recognized young creative choreographers, Hua-Bao Chien and Wei-Shen Chen are invited to choreography. The styles and forms of this performance presented extensively not only from the old times to the present, but also from the East to the West. The ingenious ideas of the choreographers are blended with the attentive efforts of the two producers to accomplish the production of the performance which is to challenge and break through the limition of self.目　次 中文摘要………………………………………………………………I 英文摘要………………………………………………………………II 謝誌……………………………………………………………………Ⅳ 目錄……………………………………………………………………Ⅵ 表目錄…………………………………………………………………Ⅸ 第一章　緒論…………………………………………………………1 　第一節　研究動機…………………………………………………1 　第二節　研究目的…………………………………………………2 　第三節　研究限制…………………………………………………3 　第四節　名詞解釋…………………………………………………4 第二章【絕代雙嬌】製作探討………………………………………8 　第一節　學習背景…………………………………………………8 　　一、專業學習……………………………………………………8 　　二、職業舞者……………………………………………………12 　第二節　獨一無二的製作…………………………………………16 　第三節　【絕代雙嬌】演出製作…………………………………17 　　一、主題訂定……………………………………………………17 　　二、工作時程……………………………………………………18 　　三、排練表………………………………………………………25 　　四、演出前準備…………………………………………………29 第三章　舞作<漣漪>之表演分析…………………………………30 　第一節　胡氏舞風與訓練…………………………………………31 　第二節　舞作意念…………………………………………………32 　第三節　排練過程中的困難與挑戰………………………………33 　　一、道具…………………………………………………………33 　　二、動作…………………………………………………………34 第四章　舞作<雙子座>之表演分析………………………………37 　第一節　雙子的相遇………………………………………………38 　第二節　雙子個性與動作質地的分析……………………………39 　第三節　排練過程中的困難與挑戰………………………………42 第五章　舞作<D>之表演分析 ……………………………………45 　第一節　合作緣起…………………………………………………46 　第二節　編舞者作品意念…………………………………………46 　　一、音樂製作……………………………………………………46 　　二、服裝設計……………………………………………………47 　　三、舞蹈編排……………………………………………………49 　　四、舞臺空間……………………………………………………50 　第三節　中西文化交流的新產物…………………………………50 　　一、中國舞特色…………………………………………………51 　　二、現代舞特色…………………………………………………52 　第四節　排練過程中的困難與挑戰………………………………52 第六章　舞作<絕代雙嬌>之表演分析……………………………55 　第一節　舞作形成…………………………………………………56 　第二節　排練過程中的困難與挑戰………………………………58 　第三節　與演出主題呼應的謝幕編排……………………………60 第七章　結語…………………………………………………………62 參考文獻………………………………………………………………631021414 bytesapplication/pdf舞蹈;身心體驗;表演製作Dance;Experiences of Body and Soul;Production of the Performancethesis