詹佳惠Chan, Chia-Hui2017-02-222025-07-302017-02-222017-02-22https://ir.ntus.edu.tw/handle/987654321/70806學位類別：碩士校院名稱：國立台灣體育大學系所名稱：體育舞蹈學系碩士班學號：19403004畢業學年度：97年論文頁數：74頁　　《我們之間》為筆者及徐康倫於2008年5月共同策劃演出的碩士畢業聯展，本篇論文是筆者針對此展演所撰寫的文字報告，主要是紀錄及彙整製作排練過程中的經驗與收穫，藉由回顧與探索，重新檢視自己在舞蹈領域裡，所扮演不同角色的深刻體悟。 　　本文共分為四章：第壹章舞蹈歷程，簡述個人的舞蹈生涯，將分為童年時期、舞蹈班生活及研究所日子來探討，並敘述出在這不同時期的歷程中，影響筆者最深遠的人、事、物；第貳章『我們之間』畢業製作概述，淺談節目製作過程及其遇到之相關困境；第参章身體會說話，主要為介紹各舞作，並描述如何以身體語彙顯現舞作本身，及使用不同表演方式傳遞編舞者之意境；第肆章結語，主要是提出本文的結論，並以自身擔任製作人、排練者、表演者的多重角色之體驗來探討並從中學習及成長。《Between Us》, designed and performed by both the author and Shui-Cong-Roum in May 2008, is the performance for the master degree. The essay mainly recording and sorting the process of the experience and the feedback is the recountal of the performance. Through retrospection as well as meditation of the performance and the lesson learned from acting diversified roles, the author gets great inspirations in the field of dancing. The essay consists of four chapters: The first chapter involves the author’s experience of dancing: a brief description of personal dancing career which is sorted by the period of childhood, the period of the dance-profession-class and the period of graduate school. Also, this chapter presents what and who casted the greatest influence on the author. The second chapter is a general track of the production progress of “Between Us” and the difficulties the author encountered in the meantime. The third chapter is about body expression. The moves of dance are introduced in this chapter. Moreover, there are a description of how to dance via body expression and how to convey the thoughts of composers through various methods. The fourth chapter provides the conclusion. In the chapter the author provides the experience of being a producer, a doer and a dancer from which she has been inspired and has got a myriad of cultivation.目　次 第壹章　舞蹈歷程………………………………………………………1 　第一節　童年時期……………………………………………………1 　第二節　舞蹈班生活…………………………………………………3 　第三節　研究所日子…………………………………………………8 第貳章　『我們之間』畢業製作概述…………………………………9 　第一節　源起…………………………………………………………9 　第二節　籌劃與製作…………………………………………………10 　第三節　環環相扣的多重角色………………………………………11 第参章　身體會說話……………………………………………………17 　第一節　《羽翼下的天空》…………………………………………18 　　一、舞作探索………………………………………………………19 　　二、動作表達………………………………………………………20 　　三、情感傳遞………………………………………………………22 　　四、雙人默契………………………………………………………23 　第二節　《你說，我在聽》…………………………………………24 　　一、舞作探索………………………………………………………25 　　二、動作表達………………………………………………………27 　　三、情感傳遞………………………………………………………29 　　四、舞作呈現………………………………………………………30 　第三節　《La Fille Mal Gardee園丁的女兒》…………………………32 　　一、舞劇介紹………………………………………………………33 　　二、舞作探索………………………………………………………34 　　三、動作表達………………………………………………………35 　　四、情感傳遞………………………………………………………38 　第四節　《我與她》…………………………………………………39 　一、舞作探索…………………………………………………………40 　二、動作表達…………………………………………………………41 　三、情感傳遞…………………………………………………………44 第肆章　結語……………………………………………………………47 參考文獻…………………………………………………………………51493271 bytesapplication/pdf身體;舞蹈;舞者;表演者Body;Dancing;Dancer;Actorthesis