Publication:

【旋影三行】表演編創與研析

【旋影三行】表演編創與研析：是筆者與楊文齡、壽于禎三人共同企劃，在系所主任、指導教授及學弟妹們的協助下完成三人聯展的畢業製作，紀錄和彙整製作排練過程中的感受與體悟與編創歷程。此製作表達了筆者對舞蹈的崇敬、對啟蒙老師的感念、對師長們的提拔感激及對自我的挑戰。製作中邀請了詹佳惠老師、林文中老師以及自我本身編創的作品，分別呈現了不同風貌與特質的作品；如《都會男女的情歌》中，藉由三首膾炙人口的現代情歌，以清新自在的活動方式呈現出兩小無猜間的嬉鬧；縣道162甲》中的想念、焦慮、激動、回憶、痛苦、失望；《紅色．侵蝕》的乾淨簡約肢體及《11點40分的開始》裡舞臺上的巨大閃光燈強調出筆者內心落寞感的情感上極速曝光；身上撲滿大量的白色粉末，筆者詮釋人與人相處過後的，快速消失不見的多方面反思，挑戰角色上的探索與詮釋，引領筆者經驗不同的身體思維。本研究將從表演編創與研析方面進行，忠實的記錄，並分享個人在【旋影三行】演出中，對表演的掌握與觀點。第一章【緒論】概述【旋影三行】演出製作內容之目的與架構；第二章【黑的自我意識】舞蹈學習過程回憶，簡述個人從小到大的舞蹈與所遇的經歷；第三章【《獨－11：40分的開始》是人生停刻一瞬間卻是另一個新開始】；第四章【《縣道162甲》紀念所有在筆者人生旅途提前離開人】；第五章【《都會男女的情歌》舞臺上的島型創作】；第六章【《紅色．侵蝕》啟動指尖末梢的能量竄流】；第七章【結語】。

“The Three Spiral Shadows” is an analysis and documentary of an ensemble production created by the author, Wen-Ling Yang and Yu-Chen Shou. With the assistance and encouragement from advisors, professors and fellow classmates, the thesis recollects the process and learning experience from conception of the ideas to final performance. It also is a reflection of the author’s respect to the art of dance, gratitude towards her first dance teacher and the generous support of all that followed as well as a self challenge. The production includes original choreography by Professors Chia-Hui Chan, Chien-Piao Huang, Wen-Chung Lin and, clearly identifying diversity in style and interpretation. In “The Love Song” by Professor Lin, dancers express the pure and unadulterated joy of love through three popular love songs. In sharp contrast, “11：30” by Professor Huang depicts many of life experiences – anxiety, passion, excitement, despair, disappointment, fear and denial. “Red．Erosion” by Professor Chan utilizes sharp and precise body movements to evoke emotion while the outsized screen projection background from “County Road of 162” by Professor Teng emphasizes the author’s inner struggle and emotional release. With these four diverse choreography, the author is able to articulate a self and character examination through body movement as well as an in depth exploration of body language.The Thesis is a true documentation of the author’s journey throughout the production of “The Three Spiral Shadows”. The performance approach and the dancer’s point of view are clearly defined in seven exploratory chapters. Chapter 1 is an introduction to the approach and theory behind the ensemble production. Chapter 2 Black of self-consciousnes Chapter 3 retraces one’s oldest memories in “11：30”. Chapter 4 focuses on “County Road of 162”, a study of the feminine quality in love poetry. Chapter 5 describes the creation of a traditional island themed stage production that is “The Love Song”. Chapter 6 Infinite evolution “Red．Erosion”. Finally in Chapter 7, the author concludes the analysis of a rite of passage one experiences through the discovery of dance.