Publication:

【纏樂菩提】表演製作研究與舞作分析

【纏樂菩提】是筆者－黃瑋婷個人碩士畢業舞展，於2011年5月11日假臺中市中興堂演出。主要是以舞蹈肢體語言傳達女性內涵做為出發點，藉由不同領域藝術家以及創作風格迴異的編舞家共同合作，並與本校年輕舞者共同演出，企圖從中國舞以及現代舞跨領域的刺激與碰撞中，激發交疊的文化意涵與身體符號，讓中國舞專業訓練背景的筆者，展現不同的身體樣貌，用心、用愛、用生命記憶一場穿越傳統與現代的身、心、靈、樂的對話。本文撰寫將從製作、排練到演出的過程中，忠實紀錄筆者個人參與之實務經驗，以及對演出之反思與體悟，並透過「個別敘事研究」相關的補充與印證，忠實的將筆者製作【纏樂菩提】之想法與個人的表演詮釋方法做一完整之紀錄與分享。

本文共分七章，第一章緒論─包括研究動機、目的與方法；第二章花園中的舞蹈精靈─陳述筆者舞蹈蛻變的過程；第三章到第六章分別探討《雙身菩提》、《嫣》、《伶拂袖 唯鼓動》、《纏樂》四齣舞作之創作意涵，以及筆者在身體、情緒、表演等方面的掌握與詮釋方法；第七章結語─回顧畢業製作的心路歷程與蛻變，歷經【纏樂菩提】「身」、「心」的洗禮，筆者將邁向另一段身體與心靈交織的表演旅程。

“Bodhi Tangled with Music”, Huang, Wei-Ting’s dance graduate concert of master degree, is performed at Chung Hsing Hall in Taichung on May 11st 2011. Based on the dance vocabularies that express the intrinsic nature of female body, this graduate concert invites and cooperates with young dancers from our department, several choreographers who expert in various creative styles, and artists from different fields. Employing both Chinese dance and modern dance movements that create blending cultural and bodily symbols, this performance encourages the major dancer as well as the author, who came from possessing professional Chinese dancing background, to involve into the conversations among body, mind, soul, and music. Documenting the whole process of dance production, rehearsals, and formal performance, this research is intended to apply “individual narrative” as research method and records the author’s personal practical experiences, self-reflections on the past performance, and the author’s thoughts and interpretations on this dance prodution.

This research includes seven chapters as following. Chapter one, “Introduction,” states the background, motivation,  purpose, and method of the research. Chapter two, “Dancing Fairy in the Garden,” describes the author’s transforming process of dancing. Chapter three to chapter six respectively analyze the meanings of four creative works, “Double-figured Bodhi”, “Captivating”, “Arousing with a Flick of One's Sleeve” ,“Tangled around Music”, and discuss the author’s master and interpretations of body, emotion, and performance. Chapter seven, “Conclusion” tracks the process of producing graduate concert. After experiences the rinsing of body and mind in “Bodhi Tangled with Music,” the author hopes to step forward to another performing stage involving with both body and mind.