Publication: 被遺忘的舞蹈動能:民族舞蹈比賽的身體經驗與文化記憶 (I)
| dc.contributor | 舞蹈學系 | |
| dc.creator | 張思菁 | |
| dc.date | 2016-09-30 | |
| dc.date.accessioned | 2018-04-23T17:25:49Z | |
| dc.date.accessioned | 2025-07-27T07:50:47Z | |
| dc.date.available | 2018-04-23T17:25:49Z | |
| dc.date.issued | 2018-04-23T17:25:49Z | |
| dc.description | 計畫編號：MOST104-2410-H028-003 研究期間：2015/08/01~2016/09/30 | |
| dc.description.abstract | 本研究針對1954-1970年間民族舞蹈比賽個人賽與團體賽參與者之生命敘事與文化記憶進行研 究。除了廣泛搜集編纂當時歷史資料外，本研究以訪談口述為主要研究方法，從個人觀點的舞蹈身 體經驗與生命敘事等微觀角度思索，以彌補過往研究僅著重國族主義與政治力介入之大敘事。同時， 運用當代舞蹈研究與文化記憶等相關理論，展開以身體為中心的史料探尋與提問，有別於過往以視 覺符號分析為主的書寫面向。從個人的詮釋及至社群的共同記憶進行瞭解，探討當時民族舞蹈比賽 此一事件在舞蹈社群所積累出的文化記憶為何，企圖重新拼湊此一事件的多元面貌。為聚焦於『民 族舞蹈』與早期台灣舞蹈社群之脈絡，本研究第一年預計針對曾於1954年到1970年之間參與過民 族舞蹈比賽個人組別參與者進行研究，第二年預計針對同一年代區間的學校團體舞組別比賽之一般 參與者進行研究。本研究認為，若重新檢視臺灣早期『民族舞蹈的身體』之個人詮釋與社群觀點， 並將其置放為當時中產階級女性的舞蹈專業與大眾競賽實踐的脈絡下，可發現民族舞蹈不僅提供個 人社會能動性與批判性論述價值，也是當時台灣舞蹈社群與大眾的重要文化與身體記憶。 This project focuses on the life narratives and cultural memories of the participants in the Chinese Min-Zu Dance Competition during 1954-1970 in Taiwan. Besides widely collecting historical materials and texts, I use interviews as my major research approach to provide the micro-perspective, such as individual interpretations and their bodily experiences, in order to avoid simply hiring macro-narratives, such as Nationalism, to analyze this event. I also employ the theoretical arguments from cultural memories and dance studies to posit an inquiry on the Dancing Body, instead of overemphasizing the importance of visual symbols in the past researches. In order to keep its focus on the Chinese Min-Zu Dance Competition and the dance community on that period, this project was designed as a two-year plan. In the first year, I will focus on the participants who won the best national awards in the individual performance. In the second year, I will track and try to contact the participants who joined the school group performance and won the national awards. I argue that, if we inspect this event from the perspectives of bodily experience of women and collective cultural practices, the Min-Zu Dancing body is the space where the different discourses interacted and where the agency generated at that time. I also argue that this event is an important cultural memory of dance community and of general public in the 1950s and 1960s Taiwan, which should be seriously reconsidered in academia. | |
| dc.format.extent | 129 bytes | |
| dc.format.mimetype | text/html | |
| dc.identifier.uri | https://ir.ntus.edu.tw/handle/987654321/63664 | |
| dc.language | zh_TW | |
| dc.subject | 民族舞蹈; 民族舞蹈比賽; 文化記憶; 舞蹈身體 | |
| dc.subject | Chinese Min-Zu Dance Competition; Ethnic Dance; Cultural Memory; Dancing body | |
| dc.title | 被遺忘的舞蹈動能:民族舞蹈比賽的身體經驗與文化記憶 (I) | |
| dc.title | Forgotten Dance Agency---The Bodily Experience and Cultural Memory in the Chinese Min-Zu Dance Competition in Taiwan | |
| dc.type | report | |
| dspace.entity.type | Publication |