Publication:

【微光角落】演出製作與表演理念之研究

本論文旨在探討並分析筆者【微光角落】畢業製作與演出歷程。除了以製作人的角度分析展演的製作行政面，也以演出者的角度深入剖析舞作編創、身體表現詮釋及演出的歷程。透過回顧記錄整場演出與分析四首參與舞作，從中檢視與反思展演之內涵與意義。本論文分為五個章節，第一章緒論，闡述自幼至研究所的舞蹈學習歷程，並陳述製作演出之研究動機與研究目的、製作方法與架構及限制；第二章演出形式與文獻探討，以文獻探討表演理念及舞蹈形式作為學理之依據；第三章演出內容與製作架構，呈現製作架構及展演舞作內容與工作歷程；第四章舞作詮釋歷程與身體分析，分別陳述《偃溪水聲》、《花雕》、《映水月》、《時間的流逝》如何以不同的身體運用方式去詮釋舞作，並突破挑戰自我的探索歷程：第五章展演回饋與反思，筆者回顧整檔製作的心得及省思，並討論觀眾回饋意見以供未來參考。

The goal of the thesis is torecord and analyze the researcher’s graduate production, “The Corner of Subtle Light,” and the performance process.The researcher not only analyzes the details of the production, as one of the producers, but also deeply traces and reflects on the process of the choreographic choices, dance interpretation and performance.Thethesis is divided into five chapters.The first chapter, Introduction, summarizesthe researcher’s dance background and the ideas, motivation, and the methods in producing this graduate concert.The second chapter, Literature Reviews, focuses on the knowledge and literatures about the dances interpreted in this production. The third chapter, Frame of the Production, is about the procedure and the setting process of the performance. The fourth chapter, Interpretation and Analysis of Dancing Body, analyzes how the researcher challenged her limitation and used different methods and trainings to interpret the four dances that she performed. The fifth chapter, Feedback and Reflection, reviews the whole performing process and discusses the audience’s feedback, and concludes with some thoughts that can be used for future reference.