製作一場舞蹈演出，除了舞蹈的呈現表達外，還要規劃整場演出的舞作以及行政工作之組織與執行。本研究針對畢業製作【天下無雙】進行分析，從製作人與表演者的雙重身分回顧製作的整體歷程。本研究分為五章，第一章緒論，說明製作【天下無雙】之動機過程及其演出架構，從筆者的成長環境與習舞過程發想，而決定此次演出的特殊形式與架構。第二章文獻探討，分別對朝鮮族、苗族等中國民間舞蹈的風格與特色，以及京劇與舞蹈的詮釋進行深入探討研究。第三章演出作品內容及製作歷程，針對整體製作行政組織過程進行說明。第四章舞作分析及身體詮釋，依演出舞作順序分別分析各舞作之內容以及身體表演詮釋歷程。第五章檢討與反思，分成演出與製作相關兩個部分來檢討此次製作，對於製作人及舞者所遇到的問題解決並反思，以供未來製作參考。

The author has to not only present the dance on stage but also manage and implement the whole production. This thesis analyzes the process of graduate concert “Unparalleled In The World” from the perspectives of producer and of dancer. The thesis is divided to five chapters. Chapter one, Introduction, focuses on the motivation, the goal, and the structure of this production. It traces the dance background of the author, which influences the particular topic and theme of this production. Chapter two, Literature Review, explores the culture of ethnic Korean-Chinese and ethnic Miao group and their folk dances and investigates the development and performing styles of Beijing Opera. Chapter three, the Content and Process of the Production, reviews the whole administrative process of the production. Chapter four, the Analysis of Dance and Bodily Interpretation, explores the process and experiences of interpreting and expressing the dances. Chapter five, Feedback and Reflection, is to review, from the perspectives of producer and of dancer, the difficulties and challenges faced in this production and to reflect on possible solutions for future reference.