Publication:

【凝視速光】舞蹈歷程紀實研析

【凝視速光】舞蹈歷程紀實研析：是為筆者－郭乃妤企劃，在系所主任、指導教授及學弟妹們的協助下完成的個人展；紀錄和彙整製作排練過程中的感受與體悟。此製作表達了筆者對舞蹈的崇敬－對啟蒙老師的感念，對師長們的提拔感激及對自我的挑戰。製作中邀請了游好彥老師、詹佳惠老師、林文中老師以及筆者郭乃妤自身編創的作品，分別呈現了不同風貌、特質的作品；如《小》中，玩弄細微臉部表情肌肉，壓迫、拘束的活動方式；《泣》的悲凄、滄涼感；《溯•塑》的乾淨簡約肢體及《喧囂的孤獨》的情感宣洩及舞台霸佔性；帶出筆者個人肢體詮釋的多面向，挑戰體能極限，引領筆者經驗不同的身體思維。

本研究將從表演理念研究與分析方面進行，忠實的記錄，並分享個人在【凝視速光】演出中，對表演的掌握與觀點。第壹章緒論，概述「凝視速光」內容之目的與架構；第貳章追憶舞蹈歷程，簡述個人的舞蹈歷程，將分為啟蒙期、朝聖期、回歸校園期、雲門淬煉期及教學相長期；第參章【小】瓶中人的世界；第肆章【泣】女生行不行?性別挑戰；第五章【溯．塑】回歸極簡劇場；第六章【喧囂的孤獨】情感的宣洩；第七章結語。

This thesis is titled, The analysis of the recording and the recollecting the experiences from the graduate dance production-“gazing into the speed of light”, Through the thesis, I hope to evaluate and discuss the various roles I have experienced in the production. In addition, this is a self-reflection to determine how dance has influenced my life, and where I stand on the dance field. This thesis is composed into seven chapters.

Chapter One, I briefly described the structure of the thesis and the goal of my further studies in the graduate program. Chapter Two stated with my personal dance journey, from the early dance experience to the professional study at schools and dance companies such as Martha Graham Dance Company and Cloud Gate Dance Theatre, and after that I step finally to the field of teaching. The thesis also explored how and what are the turning points from different phases in my dancing journey and influence and impact my life. The remaining Chapters, Three to Six, introduce the productions and processes the contents of each choreography I performed in: Small, Weep ,Trace . Sculpt and Noise of Loneliness, respectively. Each chapter emphasize on self-evaluation and feedback after the performances. Lastly, in Chapter Seven, is a reflection of where I am now and a perspective towards my future.